Author/Title |
Research Type |
Related Fields |
Paul S. Atkins. “Hengoku no kajin: yōkyoku Teika kara Myōjō e (The Poet in Limbo: From the Nō play Teika to Myōjō)” in Teika no motarashita mono, ed. Nihon Joshi Daigaku Nihon Bungakka, vol. 20 of Nihon Joshi Daigaku sōsho (Tokyo: Kanrin Shobō, 2018), pp. 69-104. In Japanese and English. |
Publications, Essays |
Japanese, Drama, East Asian, Reception Studies |
“Hengoku no kajin: yōkyoku Teika kara Myōjō e (The Poet in Limbo: From the Nō play Teika to Myōjō)” in Teika no motarashita mono, ed. Nihon Joshi Daigaku Nihon Bungakka, vol. 20 of Nihon Joshi Daigaku sōsho (Tokyo: Kanrin Shobō, 2018), pp. 69-104. In Japanese and English. |
Publications, Essays |
Japanese, Drama, East Asian, Literary Criticism, Literature, Medieval, Reception Studies |
Nadiputra. Muzika Lorong Buang Kok, translated by Nazry Bahrawi, Cokelat, 2012. |
Publications, Translations |
Southeast Asian, 20th Century, Drama, Literature and Other Arts, Music, Popular Culture, Public Scholarship |
Paul S. Atkins. "Depictions of the Kawara-no-in in Medieval Japanese Noh Drama." Asian Theatre Journal 27:1 (2010). |
Publications, Essays |
Japanese, Premodern Asian Studies, Drama |
Paul S. Atkins. Revealed Identity: The Noh Plays of Komparu Zenchiku. University of Michigan Center for Japanese Studies, 2006. |
Publications, Books |
Japanese, Drama, Performance Studies |