Drama

Related Faculty

Paul S. Atkins
Professor
Japanese Program Coordinator

Latest News

Peking Opera Demystified (December 15, 2016)

Related Research

Paul S. Atkins. “Hengoku no kajin: yōkyoku Teika kara Myōjō e (The Poet in Limbo: From the Nō play Teika to Myōjō)” in Teika no motarashita mono, ed. Nihon Joshi Daigaku Nihon Bungakka, vol. 20 of Nihon Joshi Daigaku sōsho (Tokyo: Kanrin Shobō, 2018), pp. 69-104. In Japanese and English.
“Hengoku no kajin: yōkyoku Teika kara Myōjō e (The Poet in Limbo: From the Nō play Teika to Myōjō)” in Teika no motarashita mono, ed. Nihon Joshi Daigaku Nihon Bungakka, vol. 20 of Nihon Joshi Daigaku sōsho (Tokyo: Kanrin Shobō, 2018), pp. 69-104. In Japanese and English.
Jyana S. Browne, "Creating a Public: Love Suicide on the Osaka Stage, 1703-1722." Ph.D. dissertation, School of Drama, University of Washington, 2017.
Castro, Genoveva. Wājid 'Alī Shāh Plays Krishna's Stolen Flute : The Multiplicity of Voices in the King of Awadh's Dramatic Work. Seattle]: University of Washington, 2016.
Nadiputra. Muzika Lorong Buang Kok, translated by Nazry Bahrawi, Cokelat, 2012.
Paul S. Atkins. "Depictions of the Kawara-no-in in Medieval Japanese Noh Drama." Asian Theatre Journal 27:1 (2010).
Paul S. Atkins. Revealed Identity: The Noh Plays of Komparu Zenchiku. University of Michigan Center for Japanese Studies, 2006.