| Atkins, Paul. "What is the Japanese 'wabi-sabi' aesthetic actually about? 'Miserable tea' and loneliness, for starters." The Conversation, March 12, 2024. |
Publications, Articles |
Japanese, Public Scholarship, Visual Culture |
| Pauwels, H. 2023b. Mīrā’s Iconography: From Miniature to Movie. In: Karen Pechilis and Amy-Ruth Holt, eds. Devotional Visualities: Seeing Bhakti in Indic Material Cultures. 285–309. London: Bloomsbury Academic 2023 |
Publications, Articles |
Film/Cinema, Hindi, South Asian, Visual Culture |
| Nazry Bahrawi, Joanne Leow and Y-Dang Troeung, eds. Shorelines: Southeast Asia and the Littoral, special issue of Wasafiri, Issue 116, Winter 2023. |
Publications, Articles, Essays |
Literature, Literature and Other Arts, Nonfiction Prose, Novel/Prose Fiction, Southeast Asian, Translation and Interpretation, Visual Culture |
| Kim, Ungsan. “Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea,” JCMS 62.3 (Spring 2023): 191–196. |
Publications, Essays |
Film/Cinema, Korean, Media Studies, Queer Studies, Visual Culture |
| Cho, Heekyoung. 2021. “The Platformization of Culture: Webtoon Platforms and Media Ecology in Korea and Beyond.” The Journal of Asian Studies 80, no. 1 (February): 73-93. |
Publications, Essays |
Korean, 21st Century, Comics, Digital Humanities, East Asian, Media Studies, Popular Culture, Visual Culture |
| Cho, Heekyoung. 2016. “The Webtoon: A New Form for Graphic Narrative”The Comics Journal, (July 18), 6,915 words. (http://www.tcj.com/the-webtoon-a-new-form-for-graphic-narrative/) |
Publications, Essays |
Japanese, Korean, 21st Century, Comics, Popular Culture, Visual Culture |
| Lowy, Christopher. "Nihongo no ākitekucha: kakikotoba no kōchiku tekusuto-sei o megutte." (Towards an Architecture of Text: On the Architexture of Written Japanese). Symphoniker, ed. Nagase Kai. Tokyo: Symphoniker 1.1, 2013. pg. 3-19. |
Publications, Essays |
Japanese, Architecture, Literary Criticism, Visual Culture, Writing Systems |
| Lowy, Christopher. “Chōheimen-ka shita nihongo de no komyunikēshon ni tsuite: tojikomoru nihon no hihyō.” (On Communication In a Hyperflattend Japanese Language: Japanese Criticisim and Introversion). genron etc., ed. Azuma Hiroki. Tokyo: genron 2.4, 2012. pg. 83-95. |
Publications, Essays |
Japanese, Literary Criticism, Popular Culture, Visual Culture, Writing Systems |
| Justin Jesty. "Tokyo 1960: Days of Rage and Grief Hamaya Hiroshi’s Photos of the Anti-Security-Treaty Protests." Visualizing Cultures. MIT: 2012. |
Publications, Essays |
Japanese, 20th Century, History, Visual Culture |
| Justin Jesty. "Arts of Engagement: Art and Social Movements in Japan’s Early Postwar." Ph.D. Thesis. University of Chicago, Dept. of East Asian Languages and Civilizations, 2010. |
Publications, Essays |
Japanese, Art History, Culture, Film/Cinema, History, Visual Culture |
| Justin Jesty. "Hokkaidō tankō rōdōsha no kyōdō seisaku: 1950-nen no ‘Jinmin saiban kirokuga’ o megutte." (Collaborative production among Hokkaidō mine workers: the case of the 1950 ‘Pictorial record of the people’s court incident’). Bunka shigen toshite no tankō-ten (The coal mine as cultural resource exhibition). Meguro Museum of Art: 2009. 128-139. |
Publications, Essays |
Japanese, Art History, History, Popular Culture, Visual Culture |
| Justin Jesty, with Tokunaga Keita. "Senda Umeji-ron (On Senda Umeji)." Bunka shigen toshite no tankō-ten (The coal mine as cultural resource exhibition). Meguro Museum of Art: 2009. 10-27. |
Publications, Essays |
Japanese, Art History, History, Nonfiction Prose, Popular Culture, Visual Culture |
| Justin Jesty. "Hanga to hanga undō (Woodcut and the woodcut movement)." Gendai Shisō (Contemporary Thought) 35.17 (2007): 152-161. |
Publications, Essays |
Japanese, Art History, History, Popular Culture, Visual Culture |
