| Liping Yu. Co-author. College English Test Book. Beijing: People's University Press, 1992. |
Publications, Books |
Chinese, Language Pedagogy |
| Liping Yu. Co-author. A Step Further, An Advanced Modern Chinese Reader. Princeton, NJ: Princeton University, 2003. |
Publications, Books |
Chinese |
| Liping Yu. Co-author. A Reflection of the Reality, Readings in Contemporary Chinese Short Stories, An Advanced Modern Chinese Reader. Princeton, NJ: Princeton University, 2004. |
Publications, Books |
Chinese, Literature |
| Kim, Ungsan. “The Poet and the Theater: Perverse Reading and Queer Poetry.” Routledge Companion to Korean Literature, edited by Heekyoung Cho, London: Routledge, 2022, pp. 488-502. |
Publications, Essays |
Korean, Literary Criticism, Poetry and Poetics, Queer Studies |
| Kim, Ungsan. “The Critical Social Turn of Queer Korean Cinema: Hospitality and the Temporal Economy of Queer Kinship in The Bacchus Lady (2016).” Korea Journal 58.2 (2018): 88-112. |
Publications, Essays |
Korean, Film/Cinema, Gender, Women, and Sexuality Studies, Popular Culture, Queer Studies |
| Kim, Ungsan. “Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea,” JCMS 62.3 (Spring 2023): 191–196. |
Publications, Essays |
Film/Cinema, Korean, Media Studies, Queer Studies, Visual Culture |
| Kim, Ungsan. “Stateless Things (2011): Queer Cinema and the Critique of the Heteronormative Nation-State.” Rediscovering Korean Cinema, edited by Sangjoon Lee, Ann Arbor: University of Michigan Press, 2019, pp. 473-485. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Queer Studies, Urban Studies |
| Kim, Ungsan. Review of On the Margins of Urban South Korea: Core Location as Method and Praxis, edited by Jesook Song and Laam Hae. Toronto: University of Toronto Press, 2019. Journal of Asian Studies 81.1 (2022): pp. 229-230. |
Publications, Essays |
Korean |
| Kim Sŏk-pŏm. The Curious Tale of Mandogi's Ghost. Trans. Cindi Textor. New York: Columbia University Press, 2010. |
Publications |
Japanese, Korean, Literature, Translation and Interpretation |
| Kaoru Ohta. "The Verbal Stem Form of Japanese." Journal of Association of Teachers of Japanese (1995): 79-126. |
Publications, Essays |
Japanese, Linguistics |
| Kaoru Ohta. "Tense in the Subject Raising Construction." Japanese/Korean Linguistics. 1997. 353-368. |
Publications, Essays |
Japanese, Korean, Linguistics |
| Kaoru Ohta. "Kakari-musubi and Focus Structure." Japanese/Korean Linguistics 10 (2002): 293-305. |
Publications, Essays |
Japanese, Korean, Linguistics |
| Justin Jesty. "Tokyo 1960: Days of Rage and Grief Hamaya Hiroshi’s Photos of the Anti-Security-Treaty Protests." Visualizing Cultures. MIT: 2012. |
Publications, Essays |
Japanese, 20th Century, History, Visual Culture |
| Justin Jesty. "Making Mercury Visible: the Minamata documentaries of Tsuchimoto Noriaki." Mercury Pollution: A Transdisciplinary Treatment. Taylor and Francis: 2011. 139-160. |
Publications, Essays |
Japanese, Disability, Ecocriticism, Film/Cinema, History |
| Justin Jesty. "Hokkaidō tankō rōdōsha no kyōdō seisaku: 1950-nen no ‘Jinmin saiban kirokuga’ o megutte." (Collaborative production among Hokkaidō mine workers: the case of the 1950 ‘Pictorial record of the people’s court incident’). Bunka shigen toshite no tankō-ten (The coal mine as cultural resource exhibition). Meguro Museum of Art: 2009. 128-139. |
Publications, Essays |
Japanese, Art History, History, Popular Culture, Visual Culture |
| Justin Jesty. "Hanga to hanga undō (Woodcut and the woodcut movement)." Gendai Shisō (Contemporary Thought) 35.17 (2007): 152-161. |
Publications, Essays |
Japanese, Art History, History, Popular Culture, Visual Culture |
| Justin Jesty. "Arts of Engagement: Art and Social Movements in Japan’s Early Postwar." Ph.D. Thesis. University of Chicago, Dept. of East Asian Languages and Civilizations, 2010. |
Publications, Essays |
Japanese, Art History, Culture, Film/Cinema, History, Visual Culture |
| Justin Jesty, with Tokunaga Keita. "Senda Umeji-ron (On Senda Umeji)." Bunka shigen toshite no tankō-ten (The coal mine as cultural resource exhibition). Meguro Museum of Art: 2009. 10-27. |
Publications, Essays |
Japanese, Art History, History, Nonfiction Prose, Popular Culture, Visual Culture |
| John Christopher Hamm. Paper Swordsmen: Jin Yong and the Modern Chinese Martial Arts Novel. University of Hawaii Press, 2006. |
Publications, Books |
Chinese, Novel/Prose Fiction |
| John Christopher Hamm. "The Marshes of Mount Liang Beyond the Sea: Jin Yong's Early Martial Arts Fiction and Post-War Hong Kong." Modern Chinese Literature and Culture 11.1 (1999): 93-123. |
Publications, Essays |
Chinese, 20th Century, Novel/Prose Fiction |
| John Christopher Hamm. "Reading the Swordswoman's Tale: Shisanmei and Ernü yingxiong zhuan." T'oung Pao 84 (1998): 328-355. |
Publications, Essays |
Chinese |
| John Christopher Hamm. "Local Heroes: Guangdong School wuxia Fiction and Hong Kong's Imagining of China." Twentieth-Century China 27.1 (2001): 71-96. |
Publications, Essays |
Chinese, 20th Century, Novel/Prose Fiction |
| Jesty, Justin. Art and Engagement in Early Postwar Japan. Cornell University Press, 2018 |
Publications, Books |
Japanese, 20th Century, Art History, Culture |
| Jennifer Dubrow. "A Space for Debate: Fashioning the Urdu Novel in Colonial India." Comparative Literature Studies, forthcoming. |
Publications, Essays |
Urdu, Literature and Other Arts, Novel/Prose Fiction |
| Jennifer Dubrow, trans. An Excerpt from Fasana-e Azad by Ratan Nath Dar 'Sarshar' (1846-1902). 2008. |
Publications, Translations |
South Asian, Urdu, Translation and Interpretation |
