Biography
Ungsan Kim is Assistant Professor of Asian Cinema in the Department of Asian Languages and Literature with an adjunct appointment in Cinema and Media Studies at the University of Washington. An interdisciplinary scholar of cinema and media studies, he specializes in inter-Asian cinema, Korean cinema, Asian genre films, experimental cinema, and queer cinema and media cultures of Asia. Kim's research considers how Asian cinema has survived regional crises, including censorship, political turmoils, cultural setbacks, and the demise of movie theaters in general as well as how it constitutes an inter-Asian network of audio-visual cultures.
His first monograph in progress, Future Imperfect: Queer Asian Cinema and the Temporality of Survival, historicizes and contextualizes the emergence of critical and political queer cinema across Asia since the 1980s. Focusing on arthouse and experimental narrative films and documentaries in the region, it examines how critical and innovative queer cinema has been shaped and innovated itself, while surviving various crises and oppressions in the region. His second monograph project considers the eccentric and deviant representation of time as a salient feature of Asian horror genre films. It explores how Asian horror cinema has served as a critical means of representing political and cultural dissent in the region, while understanding motifs of deviant time in such films as potentially queer. In addition, he is currently co-editing an anthology, The Oxford Handbook of Korean Cinema (Oxford University Press, forthcoming). He regularly teaches on queer Asian cinema, global horror cinema, Korean film history, and Korean filmmakers.
Awards and Honors
Research
Selected Research
- Butler, Judith. 『지금은 대체 어떤 세계인가』 (What World Is This?: A Pandemic Phenomenology). Translated by Ungsan Kim. Paju: Changbi, 2023.
- Kim, Ungsan. “Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea,” JCMS 62.3 (Spring 2023): 191–196.
- Kim, Ungsan. “The Poet and the Theater: Perverse Reading and Queer Poetry.” Routledge Companion to Korean Literature, edited by Heekyoung Cho, London: Routledge, 2022, pp. 488-502.
- Kim, Ungsan. Review of On the Margins of Urban South Korea: Core Location as Method and Praxis, edited by Jesook Song and Laam Hae. Toronto: University of Toronto Press, 2019. Journal of Asian Studies 81.1 (2022): pp. 229-230.
- Butler, Judith. 『연대하는 신체들과 거리의 정치: 집회의 수행성 이론을 위한 노트』 (Notes toward a Performative Theory of Assembly). Translated by Ungsan Kim and Hyosil Yang. Paju: Changbi, 2020.
- Kim, Ungsan. “Stateless Things (2011): Queer Cinema and the Critique of the Heteronormative Nation-State.” Rediscovering Korean Cinema, edited by Sangjoon Lee, Ann Arbor: University of Michigan Press, 2019, pp. 473-485.
- Kim, Ungsan. “The Critical Social Turn of Queer Korean Cinema: Hospitality and the Temporal Economy of Queer Kinship in The Bacchus Lady (2016).” Korea Journal 58.2 (2018): 88-112.
- Kim, Ungsan. "Queer Korean Cinema, National Others, and Making of Queer Space in Stateless Things (2011)." Journal of Japanese and Korean Cinema 9.1 (2017): 61-79.
- Butler, Judith, and Athena Athanasiou. 『박탈: 정치적인 것에 있어서의 수행성에 관한 대화』 (Dispossession: The Performative in the Political). Translated by Ungsan Kim. Seoul: Jaeumgwa Moeum, 2016.